The Tubelight was born from our fascination with fluorescent tubes, and archetypical industrial lighting fixtures. With its flexible tube, it redefines the conventional fluorescent light, and bends the rules of lighting, literally.
Being recognizable, yet distinctive, and introducing innovative features such as the dim-to- warm function, the Tubelight transcends traditional fixtures with its versatility.

The Archive Lights provide a fresh perspective on the centuries-long grown portfolio of this unique company, by literally and figuratively highlighting the details that comprise it, and establishing a link between the past, present, and future.

We present four, lifelike objects, created from one of our findings; a dead-stock of vintage, artificial-plants parts. These precious, handcrafted pieces, are made of wire, paper, and resin.
With their delicate details, the organic compositions, highlight the subtle gradations of color, and slight variations of shape, while the intricate surfaces, exemplify a balance between the odd and the familiar.

The collected items transform into collectible objects.

Solid marble spheres, supported by bent brass structures, forge essential, sculpted illustrations of abstract planets.

Orb harnesses the mesmerizing beauty of geological patters, together with the wonders of celestial bodies, creating a synthesis between the natural and the odd and peculiar.

The Fruit Towers are ceramic vases with high-temperature glaze executed by the craftsmen Jian-Fu Zhong and Wen-Yi Kung.

With the Fruit Towers we wanted to display a relationship between the past and the present, traditional and contemporary.

The nested Borosilicate glass tubes resemble a pellucid chime, producing a delicate sound, awakening and inspiring one’s knowledge of existence and symbolizing the amplification of consciousness.

Biiru bottle opener is the result of a fusion between the skillful craftsmen of Nakajima Zogan and conceptual designers of Amsterdam based BCXSY.

Linear Cycle is not a common clock.
Instead of the usual rotating dials it features a revolving shell-like element which allows it to indicate the passing hours on a linear plate instead of a circular one.

Our personal passion towards the gathering and displaying of natural, curious specimens, has been the inspiration behind this collection of four uniquely shaped candles

“Incredible care and attention are put into the smallest details, yet at the same time many of the pieces are intended for everyday use – encouraging us to (re)discover the joy of our daily rituals.” With this in mind we have created the J & L Tumblers.

Stamppot consists of a series of ceramic objects that contain a relationship to tableware. While referencing typical Dutch vegetables,the forms remain amorphous; they are designed to be interpreted.

Why does an elephant have such a long nose?
We naturally associate specific proportions and parts to certain animals, yet the Mixed Animals feature a system of magnets and separate body and accessories pieces allowing one to challenge these associations.

Foster is comprised of three series of crafted objects and is the result of our collaboration with Ibuki, a part of Kyoto Takumijuku – a non-profit organization based in Sonobe, Nantan-city, Kyoto prefecture.

The Textielmuseum in Tilburg, the Netherlands, has invited us to browse through their magnificent archives. Ensuing, we have been commissioned to develop new pieces for the museum’s collection, inspired by our findings, using the TextielLab’s computer-controlled embroidery machine.

Fashioned after the Möbius strip with its continuous one-sided surface, the Infinity Pillow offers endless possibilities – from a neck and back cushion to a head rest, noise-cancelling pillow and much more!

For the Another Terra exhibition during the Salone del Mobile, curated by Barbara Brondi and Marco Rainò, we were commissioned to create a small piece relating to the concept of a travel to a new planet which offers similar conditions as Earth;

Contrast is the result of our collaboration with Meitheal Mara, and consists of a Side-Table, Stool and Fruit-Bowls.

In Between is a collection of hand-blown glass tableware. Drinking glasses, bowls, plates, and accessories of various types and sizes come in a six step gradation – from transparent to white. Rather than sand-blasting, the gradation is achieved through the application of varying amounts of white pigment during the process.

We were invited to take part in Editions in Craft’s kick-off project, in collaboration with the Siyazama Project a bead craft collective of women from KwaZulu-Natal in South Africa, initiated by professor Kate Wells.

The exclusive one-offs that comprise Golden Glory explore the necessity of cherishing meaningful objects.
Through the laborious art of hand-gilding, common plastic novelties and generic trinkets transcend the realm of the mass produced and meaningless and become truly remarkable modern day keepsakes.